Chief Complaint: Unspoken
SHREYA KATWALA UMKC MEDICAL STUDENT
8-year-old M with a complex medical history. Here for possible refeeding syndrome. I read the line. I write the plan. I follow the resident, nodding when I should, watch as he explains electrolytes to a mother who doesn’t need a definition, just a cure. The boy looks at me with sunken eyes that know more hunger than any child should. I chart his labs, follow his K+, hope his phosphorus holds, as if watching closely could be enough. But my note doesn’t say how his fingers twitch when I say the word “food.”
64-year-old F presented yesterday for chest pain. Workup in the ED showed elevated troponin. I practice my presentation before I speak to the attending. I recite: vitals, EKG, risk factors. I don’t mention the quiver in her voice when she whispered, “I didn’t want to come in. I thought it was just the heat.” Her daughter holds her hand like it’s the only thread still tying her here. The monitor beeps, counting time we cannot promise. We talk of cath labs and clots but no one says fear, not out loud.
34-year-old M with HIV. Stable on meds. No new complaints. That’s what I write. But when I ask, he tells me about the friend he buried last week. “I’ve buried too many,” he says. And I have no medical response for grief. I nod, offer silence the only thing I have that feels honest. These aren’t just cases, not just age-sex-history-plan. They are shadows that follow me down the hall, quietly begging not to be reduced and forgotten. I walk from room to room, collecting pieces of people. Little scraps they leave behind: a worn-out rosary curled on a side table, a photo tucked into a gown pocket, a joke that made them laugh. I write the notes. I write the plans. But I am learning that medicine isn’t only what we do It’s the pieces of others we carry.
Wandering Eyes
JULIAN PENG UMKC MEDICAL STUDENT
Medium: Acrylic painting Artist’s statement: In May 2022, I saw an album of photographs taken on the frontlines of the Russian-Ukraine war. This painting is inspired by a portrait that stuck with me —an unpaid volunteer, nicknamed “Santa,” sheltering in a basement. Peeking out from behind his stoic, war-hardened face, was a pair of beautiful and kind blue eyes that seemed to say far more than words ever could.
